Tomorrow, 10th May (from 09:00EET (08:00CET)) & Saturday, 15th May (from 20:00EET (19:00CET)) on Happy Hour>> Radio DJ2 https://bit.ly/radiodj2, you can listen the album "The White Room (Director’s Cut)" by The KLF, album re-edit in April 23rd, 2021.
The White Room (Director’s Cut) is the fourth entry in the Samplecity Thru Trancentral series, released on all major streaming services on 23 April 2021. It is the first chapter not explicitely announced on the original flyposter.
The Director’s Cut is meant to fill a historic gap between the scrapped movie soundtrack and the later commercial album, presenting an alternate unreleased version of The White Room completed in 1989. Since this version predates the 1991 release it does not include some of the later tracks, most notably of course the later radio versions of What Time Is Love? and 3 a.m. Eternal as they had not been recorded at that point in history. It does, however, feature the original versions of Go To Sleep and The Lover’s Side (or edits thereof) as well as the previously promo-only Madrugada Eterna (Club Mix Edit).
"THE WHITE ROOM – Director’s Cut by The KLF is not The White Room album that was released globally by The KLF in various formats with various track listings in 1991. Nor was it a version of the same album not completed or released in 1989.
THE WHITE ROOM – Director’s Cut by The KLF is a version of The White Room that was completed but not released in 1990.
THE WHITE ROOM – Director’s Cut by The KLF was constructed in various recording studios by The Justified Ancients Of Mu Mu, between early 1989 and sometime in 1990.THE WHITE ROOM - Director's Cut Flyposter"
As with previous releases in the Samplecity Thru Trancentral series, some of the tracks included on the Director’s Cut have been slightly altered or updated.
*The fadeout on Go To Sleep happens earlier than on the soundtrack version, probably to avoid the sample of the Todd Terry Project’s Bango included with the original edit.
*Make It Rain lacks the ‘Pump, pump, a little harder’ sample.
*Church of The KLF starts with the reversed fade in from the original soundtrack version, omitting the ‘Take me, u-hu, take me…’ sample performed by P.P. Arnold. The Director’s Cut version also does not segue into the following track, though keen listeners will be able to hear a brief bit of new drum samples from the original soundtrack version played during the fadeout.
*Last Train To Trancentral starts right after the string section and features a completely new additional verse from Ricardo Lyte after the breakdown.
*The White Room is shorter than the album version.
*The Lover’s Side has some of the “Ho-ho-ho-ho-hold me” bits removed and is slightly shorter than the soundtrack version.
*Justified & Ancient has a slightly longer wind noises during the intro.
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